TRINITI
ALEXIA
Hello, My name is Triniti Alexia, and welcome to my Blog!
I typically find it hard to describe myself in 3 words because, like most people, it depends on the day. So I’ll start by sharing the things I like, and give you an opportunity to understand a little more about me. I love clothes and food, and I'm a student so all of that is either bought at Lidl or from a charity store. I would say I am a cat person but who doesn't love dogs?! I thrive in warm weather and a cold drink in hand. From age 14 to now (aged 20) I have been living in Spain, so my love for Sangria is unparalleled and I will never stop raving about ‘croquetas de jamon’, even if their origin is French. They are just too good.
I go to the gym quite a lot but it also doesn't take much for me to be convinced to stay in and order pizza, and I absolutely love writing. I guess that last one was obvious but in case it wasn't, I thought it best to reiterate. I enjoy writing poetry and song lyrics as ways to connect with words differently, and I used to dream of being a journalist or editor, but have recently set my sights on interior design since starting my degree.
So I guess there it is, a little about me. If you in any way enjoyed this part then you have to read my blog now. Go on, click the link ;)
Collaborations
Ambassadorship
I am currently an ambassador for Torchwear, which is an athletic-wear brand dedicated to making breathable, sustainable, and comfortable active wear. They strive to make people feel empowered and confident in their communities and encourage all people to start a fitness journey.
Click the link below to shop their exclusive products, and use the code TRINITI25 for 25% off!
I have been given the incredible opportunity to write a couple of articles for Supremati, Founded by Magdalena Gruszczynska who is absolutely extraordinary in both artistic excellence and character. Her dedication to her craft and the sophisticated company she has curated is beyond inspiring.
“At Supremati, we specialise in curating interior experiences that transcend mere aesthetics. Our design philosophy surpasses traditional boundaries; we thrive as collaborative partners and pioneering innovators.
Whether it's crafting luxurious private residences or designing functional and chic office spaces, we excel in creating environments that captivate the senses.” - Supremati
Click the link below to see more from Supremati, and head over to the journal page to read more engaging articles!!
@TRINITI.ALEXIA
Follow me on Pinterest to see all my pinboards with aesthetic images and interior concepts that I am loving right now, and if you are interested in any of the items displayed, click on the link in the description to shop!
Artwork by:
TRINITI
ALEXIA
WELCOME TO MY BLOG
Attention To Detail
Triniti
Alexia
Fashion is the gateway to freedom of expression and identity euphoria.
Click above to read my contemporary and intellectual views on the industry's greatest forces and what to expect in the future.
Triniti
Alexia
Art is a synergy of storytelling and innovation, liberating us from the shackles of social constructs and formalities. With are you can be expressive and unfettered, exploring the limitless concepts that you can create. Click above to read more about the inspiration behind my blog, as well as my own artistic creations!
TRINITI
ALEXIA
The Fashion Industry is a multibillion dollar global enterprise that is devoted to the production and sale of clothes. However, fashion itself is an aesthetic way of expressing oneself to the world, and can convey meaningful and inspirational messages. But how diverse is this influential Industry? Like many things, the Fashion Industry is not exempt from a clear definition between classes, in the same way many other industries function, such as car and technology industries. High end fashion as it is called, is a niche market within itself, as it specialises in targeting a specific demographic, mainly those who can afford it. Merchandising in this sector involves the process of managing and marketing apparel sales of haute couture and contemporary fashion designs, based on current fashion trends.
Fashion trends are often set by notable fashion designers and fashion buyers in the Industry such as Donatella Versace, Marc Jacobs, and Kylie Jenner. However the Industry is not just run by its top designers, but instead, by the very consumers they target. The Industry is perpetually changing in order to reflect on social changes in culture, as well as political and environmental impacts it must respond to. Nevertheless, the question still stands, as to whether the Industry has managed to diversify itself in order to emit a wholly inclusive image that depicts a society that is not bound by stereotypes, but rather by existing normalities.
Weight Representation in the Fashion Industry
Facing its impacts on societies views on humanity
The Fashion Industry’s embedded constructs have since paved the way for an increased awareness of inclusivity and representation within the Industry, which many initially traditional companies and sectors have adapted to, in response to the rising recognition. Brands have swiftly implemented entirely new extensions to their brand, often referred to as the “plus sized” version of their original products. Some companies notorious for this change are FashionNova, Nike, Asos, H&M and increasingly, many others. Though this advancement in the Industry has had a variety of responses, some being negative and positive reactions. Clothing Brand Nasty Gal, an online retailer faced backlash after extending its product sizing up to 18 and considered this to be wholly inclusive. An article curated by Motif, an apparel knowledge hub states “Even though this was a definite improvement from its previous sizing options, the plus-size community has not reacted kindly toward Nasty Gal, with some customers accusing the brand “of jumping on a bandwagon they don’t actually care about...This shows that a clothing selection of up to size 18 is not considered truly inclusive by the plus-size community. It is a good step in the right direction, but definitely not enough.” This is a valid point to be made, however, does this notion suggest an inevitable dissatisfaction with clothing sizes, and if so, can brands ever really appease the plus sized community?
Companies that have been seen to have set the appropriate standards in their clothing ranges include up-market brands such as Dolce and Gabbana, Carolina Herrera and Mara Hoffman, however, more accessible retailers such as H&M, Walmart, Marks&Spencers, Adidas and more have endorsed a more wholly inclusive sizing range. The US in particular has the fastest growing rate of plus sized eligible people, nearly twice the rate of the overall apparel market. Globally, the plus-sized market is valued at over $178 billion, with projected 4.3 per cent annual growth through to 2028, according to Acute Market Research. Additionally, in the US, Universal Standard, founded in 2015, has taken size inclusivity to a new level, selling clothes up to size 40. “This Industry has been suffering because the prejudice against bigger bodies is so calcified that fashion companies have been leaving money on the table,” says Alexandra Waldman, “Size inclusivity has moved away from what we ‘should’ do, and is now what we must do.”
Due to increasing recognition for the need for wholly inclusive representation in the Industry, more leading brands have come forward to show their support as well as the normalisation and acceptance for this particularly marginalised demographic. Nike brought high levels of attention to the brand in 2017 as they moved into the plus sized market, launching its first extensive range of sports bras and athleisure apparel. The bright colours and bold prints came in sizes up to XXXL, and their bras covered the spectrum from 30A to 44G. “Nike offers over 120 styles of plus-sized women’s apparel up to US size 22 (EU 52, UK 26), including tights, shorts, pants and lifestyle products. It’s also expanded into yoga and reports strong sales of a new line of Nike M maternity wear” a Vogue Business article written by Beth Ashley in 2020 reports. The article continues to say that ‘In 2019, Nike unveiled plus-size mannequins in its flagship stores and sought to widen its relationship with plus-size models and influencers. “The value of inclusion will always make Nike a stronger company,” says VP and general manager of Nike Sportswear EMEA Lucy Rouse.’
What is your opinion on the topic?
Head over to my Instagram using the QR code or the link and tell me how you feel! Let’s start a conversation :)
LGBTQIA+ incorporation into the Industry
Both past and present day movements have ignited an evolution not only in society but in the fashion industry too.
ARTICLE
UPDATED!
The inauguration of the LGBTQIA+ community has been fought for for many decades, not only by its members but also by supporters of the community. Society has evolved in a way it had not achieved years prior, where freedom of expression and the ability to be who one wants to be, is more revered than ever. “We are in a pivotal moment in our evolution, and we all have personal accountability in restructuring an outdated, divisive paradigm,” as stated by Christiana Tan, challenging the embedded standards and concepts that hinder the growth of the Industry. The Fashion Industry has both aided and prevented this transformation from generating the necessary level of respect and acceptance that it deserves, and has done so through companies and brands becoming involved in key movements and events that are in support of the community. Pride Month is celebrated annually in June to honour the 1969 Stonewall riots, and works to achieve equal justice and equal opportunity for its members, according to a Youth.Gov article, and aims to eliminate ignorance and homophobia towards the people of the community. The Fashion Industry has not always responded appropriately to the community, often disregarding their need for increased recognition, as well as inclusivity in clothing styles and media exposure.
A Womens Wear Daily article written by Luis Campuzano in 2020 explained “For transgender and gender non-binary models, entry into the upper echelons of fashion runways has been limited, and many models in this cohort have felt forced to conceal their identities in order to secure jobs or succeed in the Industry”.Conventionalities set by the Industry have made the publicity and uniformity of members of the LGBTQIA+ community a difficult feat, as the lack of acceptance and inclusion of Queer people has impacted the consciouness of those within the Industry. Companies within the Industry have exploited and benefited from movements such as Pride month, by expressing an interest in the community in order to reap the rewards of increased sales for the businesses. This, otherwise known as “rainbow washing” is described by the Urban Dictionary in 2015 as “The act of using or adding rainbow colours and/or imagery to advertising, apparel, accessories, landmarks... in order to indicate progressive support for LGBTQ equality (and earn consumer credibility)—but with a minimum of effort or pragmatic result.”
Want to read more? Head over to my Instagram for exclusive access to more on this article...
TRINITI
ALEXIA
The theme of this Blog is humbly inspired by the exquisite works of Sacrée Frangine, a creative duo of artistic directors and illustrators composed of Célia Amroune and Aline Kpade. These women liberate existing forms of portraiture and redefine what it means to be identified. The harmonious and minimalistic designs they curate explore the depth of emotion that can be found in even the simplistic of things, releasing a cathartic response from their viewers. I greatly connected with their designs and even went on to study their works in my Art Studies. The symbolism within their designs resonates deeply with all those who encounter their works, and their ode to the beauty of womanhood is uplifting and refreshing. I have an immense amount of respect and appreciation for their dedication to creating extraordinary pieces of artwork, and will eternally support their successes.
I urge all reading this to visit their website and social media pages and invest in their works or collaborations.
Click the links down below to see more from them!
TRINITI
ALEXIA
During my first year at University, I studied an Art foundation course. Honestly, I loved it. We explored so many mediums that I had never seen nor practiced before, and it was during this experimentation that I discovered my adoration and passion for pottery.
It's an incredibly testing yet rewarding discipline and teaches you patience and accuracy in ways I had never experienced prior. No matter how many failed attempts I had and cuts on my fingers, I can still say I would recommend wheel throwing to everyone and anyone!
Fragments of Nature
By Triniti Alexia
My project, titled ‘Fragments of Nature’, surrounds the concept of destruction, distortion, or manipulation of an object. I revisited artists that vividly captured my interest, as well as methods and techniques that I had yet to explore further or that I undoubtedly enjoyed. I returned to the works of Cornelia Parker who curated the installation titled “Thirty Pieces of Silver” which I drew inspiration from in previous projects, however for this project, I was intrigued by her innovative use of fragmentation in her piece titled “Hanging Fire (suspected arson)”. I discovered new artists such as Patricia Shone, Billie Bond, and Terry Davis, which immensely broadened my material exploration and idea development.
In the initial stages of the project, I photographed and generated contact sheets of first-hand research that I had gathered on elements of fragmentation in my local environment, which continuously fed through into my project's development in the form of mono-printing, mark-making, texture sampling, and surface layering. I additionally carried out secondary research to support my ideas, such as interviewing scholars with knowledge of natural fragmentation in rocks and mountain terrains, as well as intelligence on the engineering of metals and how they react in various conditions.
This spearheaded my interest in metal fragmentation when observed under a microscope, and so I researched an investigation carried out by Polish engineers who curated a study on the “Recovery and Characterization Studies of Post-Production Alloy Waste from the Automotive Industry”. Within this study, documentation shows how metals can disorientate and alter depending on their chemical state. The textures created during this process heavily inspired my creative process as I drew inspiration from the contours and rigid patterns that appeared, and drove those aspects forward in my material investigations.